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Nolan's 'The Odyssey' packs IMAX theaters as fans take high-speed trains for better screens_我的网站

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Moviegoers line up at a IMAX ticket hall in Dongguan, South China's Guangdong Province, on August 15, 2026. Photo: VCGChristopher Nolan's much-anticipated The Odyssey officially opened in China on Friday, quickly becoming one of the hottest tickets of the summer movie season, with moviegoers scrambling for premium IMAX screenings and some even traveling to other cities for better viewing experiences with better screens.
Meanwhile, domestic hit Once Upon a Time in the Middle East has grossed more than 850 million yuan ($126 million), adding to the intense competition for audiences during China's packed summer movie season.
The Odyssey, which had already held limited previews in China, had grossed an estimated 240 million yuan as of Sunday, according to ticketing platform Maoyan. Its projected box office is expected to surpass 700 million yuan, potentially exceeding the 452million yuan Oppenheimer grossed in the Chinese mainland.
The Odyssey is the first feature film shot entirely using IMAX cameras and is being presented in IMAX 70mm at select theaters. Its large-format cinematography and expansive visual style have made the IMAX experience a major selling point for Chinese moviegoers.
Demand for premium IMAX screenings was already intense during the film's previews, with some theaters reporting full occupancy. After its official release, that enthusiasm has shown no sign of easing.
In Beijing, one longtime Nolan fan had been following the film since before its release and had repeatedly tried to secure a seat at the China National Film Museum's IMAX GT theater, one of the most sought-after formats for the movie.
Unable to get a ticket, the moviegoer eventually chose another well-reviewed IMAX theater and paid 180 yuan for a seat, three times the price of a normal seat, that was not particularly well positioned.
The theater was nearly full when the audience arrived, the moviegoers were largely quiet as they waited for the screening to begin. But the large-format presentation delivered the immersive audiovisual experience the audience had been anticipating.
Another moviegoer, Lin Xiao, managed to attend an IMAX screening during the previews and also noted the high attendance. She told the Global Times that audiences had already formed a long line outside the theater before the movie began.
On Chinese lifestyle platform Xiaohongshu, or RedNote, some moviegoers have posted about traveling to other cities because their hometowns do not have IMAX GT screenings. Some have even taken high-speed trains specifically to watch The Odyssey in what they consider a better theater.
Zhang Peng, a cultural researcher and associate professor at Nanjing Normal University, told the Global Times that The Odyssey's strong reception and high attendance in China demonstrate that high-quality content, combined with the rare and highly immersive experience offered by premium formats such as IMAX GT, remains a key competitive advantage for cinemas.
The film's strong quality, coupled with its cutting-edge large-format presentation, creates a theatrical experience that cannot be easily replicated at home, showing that when cinemas can offer a sufficiently distinctive immersive experience, the big screen retains its unique social and ceremonial appeal, with audiences willing to pay a premium for such exclusivity, said Zhang.
However, film critic Liu Nandou offered a restrained forecast, predicting its Chinese mainland gross at 300 million to 800 million yuan ($41 million to $110 million).
"Nolan's films have a ceiling," he told the Global Times in a previous interview. "The threshold for understanding The Odyssey is extremely high, and it doesn't fit the broad popcorn audience."
The appeal of premium formats is not limited to The Odyssey. Several films in China's summer movie season have also embraced IMAX and other high-end formats, giving audiences more options for immersive theatrical experiences.
Once Upon a Time in the Middle East, which has grossed more than 850 million yuan at the box office and is projected to surpass 2.5 billion yuan, according to Maoyan, was specially shot for IMAX.
Rather than relying on grand battle scenes, the film is set almost entirely in a small Chinese restaurant in war-torn Iraq in 2003. Played by Shen Teng, Xu Fu is a chef looking to make a living abroad and find a quiet life. But when war suddenly erupts, he and restaurant manager Ma Junsheng, played by Jiang Qiming, choose to keep the kitchen running, serving authentic Chinese dishes and creating a safe haven for local civilians and children amid the chaos.
The film uses IMAX's large screen to present the warmth of everyday life and the details of the restaurant with greater clarity and immersion.
The Odyssey, meanwhile, uses IMAX film cameras to bring the epic scale of Homer's poem to the big screen with sweeping and visually striking imagery. All Wishes Come True! is also available in premium formats including IMAX, Dolby and CINITY, using enhanced audiovisual technology to amplify its visual effects and emotional atmosphere and help drive box-office growth, according to China's state media CCTV.
As more films made for premium formats continue to draw audiences, high-end theaters equipped with IMAX, CINITY and other technologies are seeing increased demand, giving moviegoers a wider range of viewing options.
Film industry experts said audiences are no longer satisfied simply with being able to watch a movie, but increasingly want to "watch a good movie" and "experience a film in an immersive environment."
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B | K图 300251_0 　　《哪吒2》红利退潮，影视龙头光线传媒上半年净利下滑超98%。
　　8月25日，北京光线传媒股份有限公司（光线传媒，300251.SZ）发布2026年半年度报告，上半年公司实现营业收入3.24亿元，同比下降90%；归母净利润3300.89万元，同比下降98.52%，上年同期为22.29亿元；扣非净利润463.68万元，同比下降99.79%；基本每股收益0.01元。

C | 　　其中，第二季度，公司实现营收1.34亿元，同比下降50.03%；归母净利润973.33万元，同比下降95.44%。　　对于上半年营收大幅下滑，光线传媒在半年报中解释称，“主要是上年同期公司影视剧收入较多所致。

D | ”　　光线传媒所交出的这份“成绩单”和去年同期形成鲜明对比。得益于《哪吒之魔童闹海》（下称“《哪吒2》”）所创造的票房奇迹，去年上半年，光线传媒营收和净利润均创历史新高，22.29亿元的净利润更是接近此前7年的净利润总和（22.97亿元）。去年全年的业绩也是自2011年上市以来增速最高的一年。　　今年上半年，公司影视剧及相关衍生业务收入大幅下滑，拖累公司业绩。

E | 报告期内，该项业务实现营收1.34亿元，同比下降95.68%；经纪业务及其他营收1.9亿元，同比增长35.58%。　　具体来看，影视剧及衍生业务方面，2026年上半年，公司投资、发行并计入本报告期票房的影片包括《不过是上班》《飞驰人生3》《惊蛰无声》《重返·狼群》（重映）、《大鱼海棠》（重映）等，截至报告期末总票房约为58.21亿元。对此，光线传媒解释称，“本报告期受上年高基数影响，业绩同比有所回落。”　　财报还提及，目前，在组织结构调整上，公司主力真人厂牌和团队都已由传统的真人方向全面向动画IP的创造延展，在继续生产优质真人IP的同时，开始涉猎动画电影领域，公司已具备成为一家“全民动画公司”的基础；衍生业务等方向的团队规模亦在持续扩展中。

F | 公司线上店“光线小卖部”已正式营业，进一步完善了公司衍生品的销售渠道。　　产业投资业务方面，公司在本次转型的过程中，继续以轻资产方式拓展、布局游戏、衍生、短剧等领域。目前，公司已新投资、成立了十余家在游戏、衍生品、番剧、短视频、短剧等领域拥有各自的显著优势且具备发展潜力的主体，处于前期孵化、培养阶段，部分投资、合作项目已在推进中。　　另据财报，报告期内，公司经营活动产生的现金流量净额为-1.34亿元，同比下降104.48%，上年同期为29.82亿元；主要是上年同期影视剧项目回款较多所致。

G | 投资活动产生的现金流量净额为9.17亿元，同比增长178.41%，主要是上年同期公司收购北京棫霖企业管理有限公司100%股权所致。投资收益由去年同期的8138万元降至今年上半年-6051万元，主要是联营企业整体亏损。　　公开资料显示，光线传媒成立于1998年，2011年8月在创业板上市，为中国民营传媒娱乐集团，董事长和法定代表人为王长田。

H | 公司以内容为核心、以影视为驱动，在横向的内容覆盖及纵向的产业链延伸两个维度同时布局，业务已覆盖电影、电视剧（网剧）、动漫、IP 运营、音乐、文学、艺人经纪、游戏、实景娱乐、产业投资等领域。目前，公司主要立足于产业链中的内容生产与IP运营环节；盈利主要涵盖影视项目的投资、制作、发行收益，及相关衍生或关联领域产生的收益，同时以股权投资收益等作为重要补充。　　对于电影行业，光线传媒在半年报中表示，2026年上半年，根据猫眼专业版数据，中国内地电影市场总票房为173.56亿元，票房高度集中于春节档，清明档、五一档等档期表现相对平淡。在上年现象级爆款电影带动的高基数背景下，票房整体呈现回落态势，行业进入结构性调整期。　　光线传媒进一步指出，“电影行业正站在转型的关键节点。在内容创作上，创作者需要回归真诚叙事，产业投资逻辑也将从题材、成本转向创作者的态度与创新。在产业边界上，在国家政策鼓励下，行业将加速摆脱对单一票房的依赖，通过IP运营打开第二增长曲线，使电影全产业链产值持续扩大。

I | ”　　真人电影方面，下半年，光线传媒投资、发行的电影《想你了》已于2026年7月17日上映；此外，公司尚储备有《第十七条》《活色生香》《三心两意》《四十四个涩柿子》等项目待择机上映，公司将视情况对项目进行调整。电视剧/网剧业务方面，公司正在推进《春日宴》的前期开发工作。动漫业务方面，公司参投的动画电影《八仙！》已于2026年7月18日上映；公司投资、发行并由公司内部的光线动画制作团队制作的第一部动画电影《去你的岛》已于2026年8月7日上映，该IP的衍生品已于电影上映同期于光线小卖部同步发售，光线动画后续的动画电影项目已在制作过程中。　　此外，公司在推进中的动画项目包括《罗刹海市》《外婆，我的耳朵里有条鱼》《后羿》《涿鹿》《大鱼海棠2》《相思》《朔风》《西游记之大圣闹天宫》《茶啊二中2》《四大天王之边缘神》《昨日青空2》《八仙过大海》《姜子牙2》《大鱼海棠3》《大理寺日志》《妲己》《财神》《陆判》《星游记前传》《王焕君和张缤智》《红孩儿》《最后的魁拔》等等。

J | 　　当前，2026年暑期档距离收官还剩不到一周时间，猫眼专业版数据显示，截至8月25日22时，暑期档总票房近118亿元。光线传媒主投、发行的影片《想你了》《去你的岛》票房分别为1.7亿元、1.4亿元，参投的《八仙！》票房为17.6亿元。　　就今年暑期档而言，光线传媒认为，“暑期档电影市场表现较为亮眼，供给丰富优质，国产电影主导，类型全面开花，观众构成多元，热度持续升温，共同成就了暑期档的叫好又叫座，为接下来的电影市场注入了活力与生机。”　　据大智慧VIP，截至8月25日收盘，光线传媒报10.86元/股，涨0.93%，总市值319亿元。

K | （文章来源：澎湃新闻）。

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